And grossly-pun intended-miscast is Desperate Housewives actor Bart who–no matter the volume and amount of F-bombs he drops–isn’t game for the uber-depravity that writer-director Eli Roth was going for.

Phillips ( Bully) and Matarazzo ( Welcome to the Dollhouse) meanwhile though disparate character-wise both over-act: Matarazzo especially tries too hard to be gawky even if it makes for a starker contrast when her character is well you know. She more so than the others is forced to emote rather than just shriek and she shows ability that reaches beyond horror movies. The lone exception is German ( A Walk to Remember) making this by far her biggest acting splash to date as the heroine…type. Most of the cast however tends to overdo it here. There is an underrated skill in being able to act scared to death for your life-and in Hostel II’s case whatever prop cutlery was used to poke at the victims’ bodies probably made acting spontaneously easier. Thus begins the torturing-of the audience. And the winners are: Stuart ( Roger Bart) and Todd ( Richard Burgi) two Americans with WAY too much money on their hands. All around the world the well-to-do-but-not-well-meaning vie for a chance at torturing and savagely murdering these fresh American college gals. Once they check in at their hostel with the bellboy who might as well be Satan’s little helper the bidding begins.

While en route they bump into that same nude model who convinces them to change their plans and come with her to an exclusive hot-springs spa in Slovakia.

Cut to Rome where three American girls-wealthy Beth ( Lauren German) sex-craving Whitney ( Bijou Phillips) and naïve awkward Lorna ( Heather Matarazzo)-have completed their art class after painting a nude model ( Vera Jordanova) and are off to Prague via train. It’s the last nightmare he’ll ever (be able to) have. Hostel: Part II picks up where the first Hostel left off-and then Paxton ( Jay Hernandez) wakes up.

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